It’s been awhile since I’ve reviewed a pen and this one is long overdue. Life has been HAPPENING like crazy and I’m finding that my blog suffers when things get intense. How the weeks do fly by. I’ve had this pen—this Fisher of Pens fountain pen (Ares model)—on my “to be reviewed” list from the moment I purchased it at the DC Pen Show in August. Because it’s a gorgeous pen, but also because it demonstrates why pen shows are so spectacular.
We arrived to this year’s pen show early Thursday evening, just as the vendors were covering up their tables and heading out for dinner, so there was no shopping to be done that day. But Friday morning, as early as possible, we trotted down to the lobby to pick up our Weekend Trader passes so that we could get into the show as soon as it opened. Because I didn’t have much in the way of a wish list, I told myself that I’d “make the rounds” before making any purchases. I’d take my time, really scope things out, then circle back to buy the pen or pens that spoke to me. That was the plan.
We stopped at Carl Fisher’s table almost as soon as we entered the show as he was set up in the lobby, prior to being moved to the large ballroom for Saturday and Sunday. I’d seen Carl’s pens on Instagram, but had never met him, nor seen his pens, in person. Anyone who’s seen the contents of my pen cases, knows I have a thing for orangey autumnal colors, so my eyes (and my heart) were immediately drawn to this pen and its delightful swirl of oranges, golds, and blues, with a slight shimmer that is neither too much nor too little. The sun streaming down from the lobby’s skylight gave this pen the best treatment it could ever have. Illuminated by that sunlight, this pen was simply stunning, radiant, and LIT UP.
But I had that plan.
So I walked away.
My husband and I scoped out a few vendors in the large ballroom, but the whole time, my brain was fixated on that pen. So we circled back.
I acted all casual, spent some time oogling Carl’s double-ended creation (sweet!), and was about to examine my heart’s desire a little closer when Mike Mattson of Inkdependence stopped at the table and OHMIGOD picked up “my” pen. My neck tensed. My heart stopped. My stomach turned over. Gulp. I conjured up all of my mental telepathy skills and beamed “DO NOT BUY THIS PEN! DO NOT BUY THIS PEN! DO NOT…” to him. I must have skillz, because eventually he put it down. HE PUT THE PEN DOWN. Phew.
And I bought it. Immediately. Plan be damned.
In talking to Carl, I learned that the material for this pen was made by Jonathon Brooks, of the Carolina Pen Company, which explains why it’s so stunning. Jonathon’s materials and pens are out of this world. I purchased one of his Charleston pens in a Combustion Acrylic at last year’s show and it remains a perpetual favorite.
I should pause to add that both Carl and Jonathon are two of the nicest people you’ll ever meet—warm, authentic, and humble—while also being extremely talented pen makers. These two guys are my kind of people.
On that Friday, Jonathon’s table was just a few steps away from Carl’s, so I stopped over to see him and to show off my purchase.
When I showed Jonathon the pen, he high-fived me and said how pleased he was that I liked it. He also kindly offered me a pen stand he’d made that matched my pen. For free. I accepted, and thanked him for his generosity. I always enjoy talking to Jonathon and his wife, Shea. They feel like friends, even though we’ve only spoken at pen shows.
One thing on my wish list was to have a nib ground by Dan Smith, my favorite nibmeister. I’d picked out the Tiger Stripey pen I purchased from Ken Cavers a number of years ago as the one that I’d have Dan modify to an Architect grind. My name was on his list and I was hanging around his table waiting for my turn as soon as he finished up with his current customer. At the last moment I decided to have the nib on my newest purchase modified instead.
I’d had Carl install a two-tone medium steel nib (JoWo #6) on my pen, and Carl had tuned it to my liking. Smooth. Wet. It wrote just the way I like. But I’m somewhat addicted to Dan’s Architect grind and thought, why not just have him work on the nib while I’m at the show rather than sending it to him later. So that’s what I did. And now it’s fantastic.
I’ve had Dan modify a couple of nibs to Architects and I love how they feel and look. This one is no exception. At the show, Carl had filled the pen with Montblanc Toffee Brown, one of my favorite browns. Once that ran out, I loaded it with the Akkerman #5 Shocking Blue I’d purchased from the Vanness Pens table, and the combination is a winner. The ink’s sheen shines through, and the color very nicely complements the blues swirling through Jonathon’s material.
Nib grinding fascinates me. The pros, like Dan, make it look easy. Even working in sub-optimum lighting, he modified the nib on my pen to perfection. I absolutely love writing with this pen, not just because it’s a stunner in looks, but also in performance.
Carl describes the Ares model like this—Stepped cap pen with a taper on both the body and the cap. Typically finished with rounded finials, this design allows for posting of the cap to the back of the pen during writing.
My particular pen weighs 18.6 grams (12.1 g body, 6.5 g cap). Capped, the pen measures 15.5 cm (6.1 inches). Uncapped, the body measures 14.0 cm (5.5 inches). I use the pen unposted as its posted length is 18 cm (7.1 inches), which feels a bit long to me. Unposted, it’s great in hand. The Ares model takes a cartridge or converter, and can also be eyedropper filled.
Those are the pen’s facts and figures. But facts and figures do not tell the story of this pen. Every part of this pen was touched by the skilled hands of a craftsman. And because it was purchased at the pen show, I was able to spend time with each of them, sharing laughs and handshakes and good feelings.
I was also able to use my extraordinary powers of concentration to wrench it away from the hands of a rival buyer. You, too, can experience the high drama of competitive pen purchasing by attending a pen show! More thrilling than a rollercoaster! Guaranteed to get your heart pumping and the blood flowing! WHEEEEEE.
Every time I look at this pen I hear Alicia Keys singing, “This pen is on fire!” (IT. IS. HOT.) While I’m hearing that song, I can’t help but think about Carl and Jonathon and Dan, each one playing his part to make this pen perfect for me.
This is a Mary pen, if ever there was one—a pen that truly represents a collaboration of talents.
The pen and the nib grinding service were purchased with my own funds. I was not compensated in any way for this review, and there are no affiliate links.
More information about the services of Carl, Jonathon, and Dan can be found at the following links:
Fisher of Pens (Carl Fisher)
Carolina Pen Company (Jonathon Brooks)
The Nibsmith (Dan Smith)