Thanks to Brad Dowdy’s weekly “Ink Links”, I stumbled onto a beautifully photographed post featuring Lamy’s CP1 Matte Black fountain pen. That post, with its simple yet stunning photos, was enough to push me to purchase this little-discussed Lamy offering.
I think of this pen as Lamy’s “middle child”— tucked between the introductory and familiar Safari/AL-Star offerings and the more upscale Lamy 2000. With its stainless steel spring-loaded clip, matte black body, and simple timeless looks, the CP1 certainly seems like a relative of the classic Lamy 2000. If you’re talking nibs, though, the CP1 is clearly a sibling to the Safari/AL-Star lines as nibs can be swapped between these models, but not with the 2000.
Speaking of nibs, when I ordered mine from The Goulet Pen Company, I opted for the black steel nib (fine) to complete the pen’s “blacked out” look. I’ve occasionally had issues with black Lamy nibs writing so dry that they had to be returned, so I included a quick note with my order asking if the nib could be QC’ed prior to shipment. I’m happy to report that the fine nib on this pen is wonderfully smooth and very juicy. Really perfect. Though my past issues with problematic black nibs have always been handled quickly, it’s best not to have a problem at all. This one is simply great.
Iroshizuku kon-peki colored feed
Price-wise, the CP1 falls between the Safari/AL-Star and the higher-end 2000, running about double the price of the former, and less than half of the latter. I paid $56 which makes this a reasonable and cool upgrade/change from the basic Safari without having to go all in on the pricier Makrolon 2000.
Like its Safari/AL-Star siblings, the CP1 is a cartridge/converter pen, but in this case, the converter is included, which is a nice little feature. Having to “add-on” a converter always bugs me just a little bit, so it’s nice to receive the complete package. Filled with Iroshizuku kon-peki, I keep looking for excuses to use this pen. I can’t figure out what the slim matte body is made of— some sort of metal, I suppose— but I do know that I like the weight and balance and ultra-minimalist look. (Some days I’m all about swirly depth and sheen and eye-popping color in my fountain pens, and the next I’m drawn to a super simple, super stealthy look. Oh, how my pen moods swing!)
Weighing just 17g and measuring 0.37″ in diameter, holding this pen is a little hard to describe. It’s light, but has some heft— sort of a denser feeling than that of a Safari or AL-Star. It’s very slim, yet still comfortable. The snap cap posts easily and doesn’t throw off the pen’s balance in a significant way. Vital measurements are as follows:
- Capped: 5.3″
- Posted: 6.2″
- Unposted: 4.6″
I sometimes initially dismiss pens this slim as being “too narrow,” but then realize that I’m perfectly happy using an even skinnier woodcase or drafting pencil. The CP1 has a bit more girth than a pencil, so though it is certainly slim and trim, it’s not at all uncomfortable for me and my middle-of-the-road size hands. The grip section appears to be plastic (I can see a bit of a seam), but I can’t confirm that either. Even the Lamy website is pretty stingy with material specifics. The grip’s ridges give my fingers just the right amount of traction.
Middle children often find themselves struggling for attention between the first-born and the baby in a family. Lamy’s CP1 fountain pen seems to suffer a bit from “middle child syndrome,” quietly tucked between the colorful and popular Safari and the iconic 2000. Like those middle kids, this pen is special in its own understated way.
The CP1 Matte Black fountain pen— certainly worthy of some attention, and maybe a little of your Lamy love.